It was such a busy exciting summer I am relieved it
is over, in a way, and we are back to our safe routines. I was at home most of
the time but the schedule was packed.
My mum came from Italy in June to attend my
daughter’s catwalk at London graduate fashion week, after it there was my
daughter’s graduation (Fashion and Design) at the beginning of July in
Edinburgh. Then my mum had an operation, a shoulder replacement, in Woking and
after three weeks there was my son’s wedding at Samlesbury Hall near Preston.
Family and friends came and went from Italy throughout summer. In the meantime
I worked hard on my PhD research as I need to start to submit some work from
September. From time to time I managed to attend some concerts, exhibitions and
shows in London and nearby, and also did some cooking and other stuff with my
mum and my daughter.
My mum’s operation wasn’t a picnic. She had no
choice but do it as her shoulder’s tendons were completely worn out and it was
very painful for her to move her right arm. Three months after the operation
she should be able to use her arm again in a normal way without any pain. She
is still recovering at the moment but got rid of the sling after four weeks and
is able to prepare some cooking and to do some crochet. I can see she is
improving a little bit every day though she says it is still painful sometimes.
I helped her wash herself and get dressed in the first four weeks but she is
such an independent brave person that she did as much as she could by herself.
We attended a concert together at the Southbank
Centre in June, the Rachmaninov piano concerto no. 2 and Shostakovich Symphony
no. 5, definitely powerful dramatic pieces that don’t let you a minute of rest,
romantic at times (Rachmaninov) but also unsettling and frightening
(Shostakovich).
I was flabbergasted by a previous concert I attended
in May with my husband, featuring Beethoven Symphony no. 7, a masterpiece.
Though my favourite classical music is Opera, above all Verdi, Bellini and
Donizetti, I can’t help acknowledging that Beethoven is one of the best
composers ever, though he is not Italian. The richness, variety and vitality of
his music are unique.



My mum also helped me embroider two shawls for
summer before she was operated and we are planning to make some new dresses
with beautiful pieces of cloth I found on sale in Berwick street, Soho. But she
needs to recover completely to give me a real good help.
My work on intertextuality is digging deeper and
deeper. The more I read Julia Kristeva, Bakhtin, Michael Riffaterre, Derrida,
Barthes, John Barth, Linda Hutcheon and other literary critics , the more I
realize the importance of the reader in the production of a text and the
pivotal influence of intertexts in the understanding and interpreting process.
A tough work that implies wide reading and serious literary analysis.
I couldn’t miss A
quiet passion, the film on Emily Dickinson’s life. She has been one of my
favourite poets since my university years when I found a selection of her poems
with facing-page translation on a book stall at the university La Sapienza in
Rome. I go back to her work from time to time always finding new implications.
I have her complete poems edition, of course, and while I was tidying up my
room this summer I also found a tiny book of her poems my father gave me years
ago, probably as a present coming back from one his trips with my mother. It is
a dear object that testifies my father’s understanding of my interests. I liked
the film very much as I think it recreated the setting and the mood of the
Dickinsons and of their time. Nevertheless, I believe it should have explored
other sides of her poetry and of her life, though it was apparently a quiet,
almost secluded life, but with complex inner aspects. The film shows mainly her
spiritual side and her love for her family, which are true, but minimizes her
passion for nature and her eroticism. Another aspect I often find in her poems
is the development of a philosophy of life expressing opinions on human
conditions and giving her point of view on existential questions, a perspective
I consider engrossing, still fresh today and worth exploring.





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