Attending art
exhibitions and visiting museums are two of my favourite pastimes; when I have
time, I also write the reviews.
Ovid. Love, myths and other
stories: https://londongrip.co.uk/2019/01/ovid-love-myths-and-other-stories-review-by-carla-scarano/?wppa-occur=1&wppa-cover=0&wppa-album=135&wppa-photo=1859
Impressionism: The Art of Life: https://wokingwriters.wordpress.com/2018/11/03/impressionism-the-art-of-life-at-the-lightbox-in-woking/
Balla: Villa Borghese: https://londongrip.co.uk/2019/01/balla-villa-borghese-review-by-carla-scarano/?wppa-occur=1&wppa-cover=0&wppa-album=136&wppa-photo=1879
Cyril Mann: Painter of Light and Shadow: https://wokingwriters.wordpress.com/2019/02/06/cyril-mann-painter-of-light-and-shadow/
Three free exhibitions at the Ashmolean Museum of Art
and Archaeology https://londongrip.co.uk/2019/02/three-free-exhibitions-at-the-ashmolean-museum-of-art-and-archaeology-review-by-carla-scarano/ …
Before Christmas I spent a whole day in London with my
husband binging on museums
and art galleries. We popped into Abbot and Holder on Museum street to see the
astonishing sketches of Yolanda Sonnabend. Her costume designs are simply
marvellous, no wonder she worked for the Royal Opera House. She studied at the
Slade School of Fine Art and had a brilliant artistic life. Her work is engaging
in its colours and slender lines, challenging and innovative. Some of the works
on display at the gallery can be considered abstract paintings, the
brushstrokes defying the figurative style of costume design, forming a
framework of lines that evokes the outfit without stating it clearly.
We also visited the exhibition I am Ashurbanipal king of the world, king of Assyria at the British
Museum, just round the corner. The exhibition reveals the incredible power of
his empire that stretched from eastern Mediterranean to western Iran. Nineveh was
the capital, a big city surrounded by walls. Symbols of the dynasty’s power
were the human-headed winged bulls that protected the gates of the city. Both Ashurbanipal
and the kings before him, built magnificent palaces decorated with carved wall
panels painted in bright colours that represented the story of their achievements. The lion hunting, represented
in some of these panels, symbolised the king’s bravery and his capacity to
defeat the forces of chaos and maintain order. The king had an absolute power
he expanded thanks to his mastery in taking command of the formidable Assyrian
army. It was a war machine that conquered and subjugated the territories
of today’s Iraq, Egypt, Iran and Middle East. Of course, wealth and slaves came
from all over the empire.
A video interestingly highlights scenes of battles on
a large stone panel explaining them by using captions. Though Ashurbanipal was
so powerful throughout his life, his decline and death remain a mystery. His
final years are not recorded and after his death (probably around 638 BC) the
Assyrian empire collapsed. The Iranian army sacked Nineveh and the tombs of the
kings were looted. The city was set on fire and his sons were killed.
The exhibition also shows an interesting timeline that
points out the archaeological excavations from early 19th century
till today, and how the archaeologists tried to protect the heritage sites
during the two Gulf wars. However, there are still remains to uncover buried
under the sand of the desert waiting to be discovered and studied.
After the exhibition, walking towards Tottenham Court
Road underground station, we couldn’t miss Cornelissen, the art shop on Great
Russell street. They have unique origami paper that tempted my husband, and
sets of colours you cannot find online or in ordinary shops. The place in
itself is fascinating in its old style and wooden cupboards. I couldn’t help
spending some money taking advantage of a discount thanks to my university
card.