Before and during the
summer I took part in various writing and poetry events, worked on redrafting
my poems and wrote some reviews.
I am part of Second
Light network so I am regularly invited to the autumn and spring festivals at
the Art Workers Guild in Queen square, London. In May I attended two engaging
workshops with Hannah Lowe on the theme of memory, and Gillian Allnutt on
listening and mourners. Both Hannah Lowe and Gillian Allnutt are inspiring
poets whose poems are published in magazines such as the Poetry Review and
whose recent collections are ground-breaking works. The workshops were very
well balanced and stimulating. I went back to my mother’s past with Hannah
revisiting the stories my mum told me about her life during the war, while with
Gillian we had an intriguing experience composing a collective piece.
At the new venue of
the Poetry School in Canada Water in London, I attended a smashing workshop
with Holly Pester titled: ‘The Nervous Line and its Performative Break’. We
analysed famous poems by G.M. Hopkins and J. Donne but also less known authors
such as Simone White and Elaine Kahn. We saw how adding or changing linking
words to a line changes the rhythm and the meaning within the poem. We also
worked on lists of words picking them at random or connecting them by sounds.
It may seem unbelievable but this practice stimulates creativity and helps
produce original first drafts you can re-work at home. We also commented on
pictures that gave a different perspective of the themes of the poems we were
reading, and finally we had a good chunk of time to develop our notes, which is
not so common in workshops where time is always tight.
In June I took part
in the Templar Poetry Festival at Keats House in Hampstead, a magical place. I
attended all the readings featuring Ruth Sharman, Jane Weir, Dawn Wood, Dorothy
Yamamoto and Tom Weir, as well as the launch of IOTA 98: bodies. I bought lots
of books, of course, and reviewed some of them. There was also the opportunity
to have a writer to writer session where I had very helpful feedback on my poems.
During the summer I
was also busy writing the reviews of some of the books I grabbed at workshops
and festivals, which is the best way not only to read poetry but also to
meditate on it. I often link my readings and writing to my studies for the PhD
I am doing at the university of Reading on Margaret Atwood, an opportunity to connect
and perceive deeper all my literary efforts.
Here are the links to
my recent reviews:
Man about the place by Jane Weir
Templar Poetry 2018
Scarlet
Tiger by Ruth Sharman
Templar Poetry 2016
As Mind Imagines World by Dawn
Wood
Templar Poetry 2018
Wake by
Gillian Allnutt
Bloodaxe Books Ltd 2018
Last but not least, I took
part in poetry readings and open mics at the Lightbox in Woking and at the Keep
in Guildford, a good way to meet other poets, learn from their work, perform my
poems and receive feedback. Furthermore, my poem Early Flight will be included in the National Poetry Day 2018 Surrey
Poets’ anthology (Dempsey & Windle), and one of my poems, Janet, will be published on South 58
(launch in October). It is about a Jamaican lady I met at a conference with
whom I felt deeply connected in our common feelings of being mothers. In my
pursuing the study of Canadian literature I wrote a review of Motherhood by Sheila Heti – a compelling
meditation on the odds of having children – which will be on Freefall magazine
at the end of September (http://www.freefallmagazine.ca/ ).
It was definitely a productive,
rewarding summer.
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